“Diversify your interests, study anything and everything, and most importantly, never compare yourself to anyone else. There will always be someone more intelligent, more talented, more beautiful, more connected, etc., but that doesn’t mean there’s not a place for you at the table. You are enough; it’s a matter of working hard for yourself, striving to become the best version of yourself, and believing that you have something that is worthy of contributing.”
25-year-old actress, screenwriter, and film director Castille Landon is making history and paving the way for young women who are pursuing their dreams and careers. Born in Florida, she moved to Los Angeles when she was fifteen to pursue a career in acting. She graduated from Harvard University with a B.A. in English, and is currently a student at Oxford, working on her creative writing major as the only screenwriter accepted into the class. “I think it helps as a filmmaker to be exposed to as many subjects as possible so as to create work that more broadly reflects humanity. I’d rather tell the stories of humans (especially women) throughout time, or be inspired by big ideas in science and medicine or great minds than become insular and just tell stories I relate to personally, or make films about filmmakers or writers,” said Landon, when asked why she decided to pursue a college education instead of only going straight to a career in the film industry.
She has appeared in numerous television shows and films such as Criminal Minds, Wind Walkers, Land of Leopold, and Among Ravens, and played a major supporting role in the comedy Sex Ed opposite Haley Joel Osment and Glen Powell. Now she writes, produces, and directs films such as Apple of My Eye, starring Burt Reynolds and Amy Smart, and I Believe in Unicorns, which premiered at SXSW and was screened in more than 40 film festivals worldwide. Her latest film, Albion: The Enchanted Stallion, was just released on Pay Per View on April 2, and will be available on DVD at Walmart on May 2.
The story follows a thirteen-year-old girl, tasked with the responsibility of caring for her disabled father, who is transported by a magical black stallion to the mystical world of Albion, where she discovers that she is the key to saving an entire race of people. It stars Oscar-nominee John Cleese (Monty Python), Jennifer Morrison (Once Upon A Time), and Debra Messing (Will and Grace). “The film was a blast to direct,” said Landon. “I couldn’t have asked for a better group of actors. Everyone really nailed their characters, and [the cast] and I became very close during the whole shooting process.” The film earned a 93% audience approval rating when it was previewed at the Bentonville Film Festival, and received both the IFP Director’s Lab Selection award and Grand Jury Award for Best Feature Film at the Equus Film Festival in New York.
In her free time, Castille enjoys hot power yoga, horseback riding, and reading. She is also a very strong supporter of women in film, gender equality, inclusion of girls in STEM (science, technology, engineering, mathematics) fields, and de-stigmatizing mental illness. This is what she had to say on the subject:
“Gender equality is something that needs to happen, and that I’m constantly shocked to see is not even close to our present conditions. As far as STEM fields, I think it’s important to empower girls through school and teach them that their contributions in those fields can be great. I personally really struggle with understanding detailed science and math, but I’m obsessed with learning about them in the general sense. I love learning about neurology, epigenetics, and cognitive and behavioral psychology— how the brain works, why we do what we do, etc. Perhaps my brain really doesn’t grasp on to the intricacies of it, but it could also be that if I had been encouraged to study those subjects as a younger person, I might have been able to train my brain to function in those fields. Too often, young girls are told that they are meant to be studying subjects in the humanities, that we’re the ‘emotional’ gender, and so we turn the logical, mathematical sides of our brains off. Do we really lack those talents, or are they muscles that we weren’t encouraged to strengthen and have atrophied without use? Geena Davis’s Institute is doing great work and putting forth the idea that young people need to see themselves reflected on screen, so we, as creatives, need to show women doing these things to inspire the younger generation to pursue them.